The Coolest Offices Around the WorldCOORDINATION ASIA - Shanghai Office
Berlin and Shanghai-based COORDINATION ASIA has just migrated its Shanghai office from an old textile mill to a glass-company headquarters. The former office was located on the banks of Suzhou Creek at No. 50 Monganshan Road in an old textile mill now known as M50 and housing a mix of creative businesses, cafes and restaurants.
COORDINATION ASIA’s new digs are located in the former headquarters of the Shanghai Glass Company at Huangpi Road 688, a building waiting for complete renovation in 2012.
COORDINATION’s CEO Tilman Thürmer, now more or less permanently located in Shanghai, says he misses the artistic community of M50, but loves the downtown location and the cool vibe of the new space.
The team at COORDINATION created a sleek 300 square-meter home for itself among the crazy “old-style European mansion” decor that was the result of a renovation in the 90s. They kept the marble, hardwood, built-in bookshelves, hidden storage, weird ceiling molding and the odd mix of ceiling light fixtures but covered most of it with black paint, a colour prominent in many COORDINATION projects.
The result is an elegant and artsy creative space that could be mistaken for a completely customized environment. - Tuija Seipell.
Skype's On Cloud Nine In A Historical Brewery, Stockholm, Sweden
As recently as in October 2010, the Luxembourg-based Skype’s Stockholm office in Slussen housed only 35 employees. But the video- and audio-focused team’s digs were bursting at the seams and new offices were needed.
Skype found its next Stockholm home in a completely restored massive historical building, Münchenbryggeriet, a landmark of Stockholm’s skyline. Built in 1846 as a clothing factory, the building became Sweden’s largest brewery in 1857 and operated as a brewery until 1971.
Skype’s new offices in the München Brewery now have room for 100 employees. Head architect Mette Larsson-Wedborn of PS Arkitektur with team members Peter Sahlin, Thérèse Svalling, Beata Denton and Erika Janunger, was charged with expressing the Skype brand’s playful spirit and its mission to connect the world in the working environment.
To do this, the designers used round shapes, fun light fixtures and bright-color furnishings in an otherwise almost completely white space. The rounded shapes of the furnishings and cloud-like lights speak the same language as Skype’s rounded font and cloud logo. The custom-made wallpaper is literal, depicting the audio and video world of the staff.
The design team sourced the furnishing from around Europe. The soft, round furnishings come from Blå station; the large, soft green seating from Offecct, the poufs and sofas from Johanson design; the white chairs and barstools from Crassevig, the conference seating from Arper and the workstations from Martela. Customized furniture was designed by PS Architectur and built by Olle Lindelöf AB/Linjon AB.
The lighting is from Stockholm lighting, Foscarini/Diesel, Zero and Fagerhult. - Tuija Seipell
Photography: Jason Strong
Bank of Moscow’s Offices
The interior design of Bank of Moscow’s offices in central Moscow’s Kuznetsky Most area (Kuznetsky Most street 13) retains the building’s great historical bones and matches customized adornments to them.
The office — one of the Bank’s many offices — occupies 7,000 square metres on the third floor and in the previously unused mansard (attic) space. Moscow-based designer, Alexey Kuzmin, retained by architectural office Sretenka for this assignment, used the space’s key feature, the large, hexagon-shaped central hall, as the defining point. He placed the client services functions in this grand, open area to evoke and retain the elegant feel of the entire building.
It is windowless, so Kuzmin created a stained-glass ceiling, that echoes the forms and style of the building. Everything in the client zone was customized, including the tall wooden doors with glass, stained-glass windows, chandeliers, oak paneling for walls and ceilings and the marble floors.
Kuzmin located the staff offices on the wings or balconies surrounding the client zone. The dividers in the office area are made of glass with wooden arches around them.
The attic had no historically significant features and it was designed as a typical, effective office. Glass dividers allow light into the space from the small narrow roof-top windows. The ceiling is made of fire resistant panels, covered with birch veneer. The white office furniture is by Vitra.
The storied building has housed the Tretyakov Trading House (same Tretyakovs that are behind the Tretjakov Art Gallery) and the expansive shop of the famous Russian photographer, J. Daziaro. Over time, the Kuznetsky Most area has changed from an upper-class shopping district (early 1800s) to financial district (mid 1800s), to Bolshevik and KGB offices, and back to elegant shopping (since 1980s). Tuija Seipell.
A Gentlemen’s Club Office
Pool tables, free beer and “casual everyday” dress code may have become the desired and appropriate work environment in many companies, but for some, a gentlemen’s club atmosphere works better.
London-based architecture and design firm SHH created this elegant office in London for an international investment company. The offices are located in a five-storey Georgian townhouse connected to a two-storey mews by a partially covered walkway. Several marble-inlaid fireplaces, marble mosaic floor tiles and beautiful ceiling cornices were kept from the previous occupants but the rest underwent a thorough modernization.
The resulting milieu is imposing and somewhat intimidating. Its dark, black-and-white photography vibe harkens back to some secret storied past, yet the contemporary treatments, especially the dramatic lighting pieces return the thoughts back to today.
Some of the light fixtures are by Modular and Foscarini and the statement chandeliers were custom-designed by Michael Anastassiades.
Custom-work, limited-edition pieces and classic furnishings such as Eames chairs accent each space, giving stunning jolts among the calm opulence.
Showing up in dated jeans or worn-out sneakers (unless you are Steve Jobs or Richard Branson) in this space would not seem appropriate, and should cue sports be allowed, they would most likely be the English Billiards variety.
Founded in 1992 by David Spence, Graham Harris and Neil Hogan (the S, H and H), architecture and design firm SHH is now a practice of more than 50 people working globally on architecture, design and branding projects.
Many of SHH’s retail, hospitality, nightclub and office clients are in the luxury category, but their client list includes also names such as Sheraton, Adidas, Pizza Hut, Aphostrophe and McDonald’s. - Tuija Seipell
This streamlined and crisp office environment in Kiev, the capital of Ukraine, is the work of Sergey Makhno’s design and architecture firm. The play between soft and hard, round and angular, plain and colorful creates a sense of whimsy and energy, but does not overpower the space.
The Kiev-based Makhno and his partner Vasily Butenko have used their own distinctive furniture throughout the interior.
The wine-colored, square-form Origami chairs in the small meeting room contrast beautifully with the azure walls and simple, white table. Black, padded Blobby office chairs give a soft touch to the sparse individual office areas, while the shiny blue rounded sofas add a playful touch to a flexible, multi-use area.
Corian walls “buckle” on top of wood paneling, exposing the wood and creating nooks for storage and soft, undulating features for the eye to follow. Makhno’s work has been featured in local and regional publications, but we expect to see more of it around the world. - Tuija Seipell
ANZ Centre - Melbourne
We are cautiously nursing a glimmer of hope that even the most corporate of the corporate world could start taking design seriously. And that they could really start understanding and taking advantage of the effects that great head-office design has on staff creativity, productivity and comfort; which, in turn, leads to either staff loyalty or revolving doors. And, most important, that all of this inevitably filters down to how the customers experience the company.
Some banks in Australia are giving us reason for this hope. We observed Macquarie investment bank’s new harbourside office building in Sydney some time ago.
We are now looking at the ANZ Centre in Melbourne’s Docklands and our hopes rise up further. Designed by Melbourne-based HASSELL, the massive “urban campus” occupies 130,000 square metres and is the location of the daily grind for 6,500 people.
The design centers around a common hub that on the ground level includes cafes, a visitor centre and public art. Throughout the campus, 44 individual hub spaces connect to quiet working zones.
The floor plan maximizes flexibility and daylight penetration, and fosters collaboration and varying work styles. About 55 percent of the work area is collaborative space and the remaining area is dedicated desk space.
HASSELL won the 2010 World Architecture Festival’s Interiors and Fitout of the Year award for ANZ Centre. The World Architecture Festival is an annual three-day event held in Barcelona where the Awards this year attracted a record 500 entries from 61 countries. - Tuija Seipell
Dtac Headquarters Bangkok
Large companies with thousands of employees often give just a cursory nod to creating an appealing, exciting and comfortable workplace. Enter the thousands of pool tables and vending machines that are supposedly making work more fun. Lucky for its 3,200 employees, one of Thailand’s leading telecommunications firms, Total Access Communication PCL under the dtac brand, did much more.
In June 2009, dtac gathered its massive team from six separate buildings and relocated them to the newly designed dtac House in Bangkok’s Chamchuri Square office tower. Now under the same roof for the first time ever, the dtac team occupies 62,000 square metres (about 662,000 square feet) on 20 floors, a move that marks the largest-ever office lease in Thailand’s history.
Opened to the media and VIPs on the auspicious day of 09/09/09, dtac House reflects the company’s desire to become the employer of choice, to enhance cooperation and communication, strengthen common goals, increase creativity and make it easier for the brand to react quickly to changing conditions. For staff and customers, the new environment aims to communicate dtac’s brand approach “play and learn.”
Australian Hassell won the competition to design the space and align it with dtac’s vision. Hassell created an open and flexible environment with natural wood, natural light and purpose-built spaces. Some of the highlights include a massive circular library amphitheatre, and an entire Funfloor with indoor soccer, table tennis, running track, and concert and performance spaces.
Other custom-designed spaces include the Conversation Pit, the Freeform Meeting, the Picnic Table and the Dining Room, all created to encourage informal, face-to-face meetings. An open terrace atop the building overlooks Bangkok’s skyline. It is easy to imagine that employees used to this environment would find it difficult to adjust to a boring row of cubicles ever again, in spite of the pool tables and vending machines. - Tuija Seipell
Uppercut Offices - Montreal
Upperkut, a young communications agency, takes up residence in the basement of a fully operational church, Saint-Jean-Baptiste Church, in the Plateau Mont-Royal neighborhood of Montreal, Canada. How do you design the space without compromising the dynamic and fun character of the agency, and without altering the ceilings and other acoustic components of the building?
Montreal-based designer, Jean de Lessard, solved the problem by relying heavily on color and large-scale graphics that echo Uppercut’s website. The 380-square-meter space was divided into four areas: president’s office, project managers’ area, studio and multi-function room. The result is a colorful, functional space with a slightly scruffy feel that reiterate the vibes of both Upperkut and church-basement life. - Tuija Seipell
Macquarie Investment Bank - Sydney
Macquarie investment bank’s new harborside office building, One Shelley Street, at King Street Warf in Sydney has been collecting accolades and awards for not only architecture and design but also for environmental sustainability and workplace functionality.
The main players in the team behind the building are Sydney-based Fitzpatrick & Partners, responsible for the design of the actual building, and West Hollywood’s Clive Wilkinson Architects that led the design team in the interior design and outfitting with Woods Bagot as the local executive architect.
Apart from the obvious visual appeal of the 10-storey office space, particularly impressive is Clive Wilkinson’s execution of the idea of using design as a key component in causing change — in encouraging and facilitating a new way of working. Macquarie wanted to adopt a new collaborative working style — Activity-Based Working (ABW), a flexible work platform developed by Dutch consultant Veldhoen & Co. — and the new office facility would play an important part in making this happen.
Macquarie’s 3,000 employees now work in an open and highly flexible space where, for example, in the 10-storey atrium, 26 various kinds of ‘meeting pods’ create a feel of ‘celebration of collaboration’ and contribute to openness and transparency.
The interior staircases have already reduced the use of elevators by 50%, and more than half of the employees say that they change their workspaces each day, and 77% love the freedom to do so.
We like Wilkinson’s own description of the result: “. . . a radical, large-scale workplace design that leverages mobility, transparency, multiple tailor-made work settings, destination work plazas, follow-me technology, and carbon neutral systems. The result is part space station, part cathedral, and part vertical Greek village.”
Clive Wilkinson Architects is known for creative workplaces. Their clients include ad agencies such as Mother, JWT and TBWAChiatDay, and technology firms in the Silicon Valley and Nokia in Finland. - Tuija Seipell.
Vodafone Head Office - Portugal
In 1984, Vodafone was a tiny UK startup. Today, it is one of the world’s leading mobile telecommunications companies with activities around the globe. Vodafone’s well publicized Portuguese headquarters is located on Avenida da Boavista in Porto (Oporto), the namesake of Port wine and Portugal’s second global city after Lisbon.
The super modern building was designed by architects José António Barbosa and Pedro Guimarães of Barbosa Guimarães Arquitectos.
The architects’ wish to reflect Vodafone’s credo “Vodafone Life, Life in Motion” lead to the creation of a building that challenges the static and appears to be out of balance. Three of the angular building’s eight floors are underground. The cross-section reveals an uneven footprint almost as if the entire structure had fallen from sky at a great speed and crashed itself into the earth where it now sits, only partly exposed and slightly disheveled.
Indeed, the outer skin reminds us of a slightly unfinished origami project that will eventually become a scale model of a museum, the inside views bring to mind the many variations of angular, uneven and pleasantly unresolved spaces we’d seen at Hotel Silken Puerta América in Madrid, especially the rooms designed by Ron Arad, Zaha Hadid and Plasma Studio. - Tuija Seipell
Photography by ultimasreportagens.com
Post Panic - Amsterdam
Maurice Mentjens Design, based in Holtum, the Netherlands, continues to delight and draw attention with its imaginative work. We have featured a couple of their store projects here and here, but this time, we are fascinated by the studio/office/production facility they designed for PostPanic.
PostPanic is a creative design and animation studio, but it is also a production company that animates, produces and directs its creations in-house. PostPanic produces mainly commercial projects for the international advertising, retail, broadcast and music industries. Clients include Nike, MTV and Coca-Cola.
When PostPanic decided to move to a new large facility located in Westerdoksdijk, a new high-density district in Amsterdam, it commissioned Mentjens to come up with interiors that would accommodate the various production and design teams, and also be flexible enough to suit a staff whose numbers can fluctuate from 14 to 40 depending on the workload.
Mentjens used the distance between the massive concrete columns as the defining theme of the space’s other dimensions. The production room, meeting room and staff room are all as wide as the distance between two columns, and the studio on the mezzanine level is two spans wide.
The overall feel of the space conjures up thoughts of a retro space-age station, or perhaps a secret-agent facility for a very important mission. There is a sense of industrious, “we mean business” attitude in the entire facility with delightful touches of color and fun treatments — sky-blue ceiling, red-and-gold paisley wall — to lighten up the gravity. We especially love the pod-like boardroom that resembles an interrogation chamber on a space ship headed to somewhere far, far away. - Tuija Seipell
Photography - Arjen Schmitz
Technology Center Medical Science - Berlin
This sleek and shiny new building is the Technology Center Medical Science (Das Science Center Medizintechnik), located in central Berlin between Potsdamer Platz and the Brandenburg Gate.
If you feel that the building, designed by Gnädinger Architects, looks somewhat sterile and synthetic, the architects and owners would not feel offended. The building has two main functions — it is a corporate facility and a science center — but both have to do with human mobility, specifically walking and grasping, and bionics (technology modeled on nature).
The clinical feel and sweeping forms are what makes this such a cool complex. The façade is designed to resemble the structure of muscle fibers. If you visit the Science Centre within, you will learn all about it and will never look at this building the same way again.
The building owner is Otto Bock Healthcare GmbH, one of the world’s oldest and largest companies designing, manufacturing and selling prostheses and orthopedic products. It was founded in 1919 by Otto Bock to meet the needs of war veterans. The top three floors of the new building are taken up by the company and its training and demonstration facilities.
The three lower floors house the Science Center and its three exhibitions: The Fascination of Walking and Grasping, Nature as our Guide, and Technology for People. To design the exhibitions, Otto Bock commissioned Berlin-based ART+COM, that has designed events for the BMW Museum and many retail clients. - Tuija Seipell
Ljubljana City Administration Center
The work coming out of the talented team at OFIS Arhitekti of Ljubljana is consistently elegant and graceful, with a refreshing honesty and clarity. Many of their buildings exude a peaceful balance of curves that are never frivolous, sharp angles that are never harsh, and materials that are earnest and timeless.
Another recent example is their entry in the international competition to design the Ljubljana City Administration Center. OFIS’s suggestion came third in the competition that posed a considerable challenge of having to juggle the new buildings among existing, protected buildings and existing underground facilities as well. The total area of new buildings for the project is 42.288m2.
OFIS’s proposal is a series of rounded, low-rise glass-facade buildings that are modern yet toned-down and beautiful yet soberly sensible. All of the buildings in the entry convey a graceful sense of openness and appear welcoming and unstuffy — in stark contrast to the clunky, traditional “government office” style buildings so prevalent in Eastern European cities.
The proposal also meets lofty goals in terms of minimizing operational costs and maximizing sustainable practices — from optimizing indoor air, light and acoustic qualities, and using healthy and local materials, to minimizing the consumption of energy and water.
Project leaders for the entry were Rok Oman and Spela Videčnik, the two 39-year-old architects who established OFIS in 1998. They are both graduates of the Ljubljana School of Architecture and the Architectural Association School of Architecture in London. - Tuija Seipell
Moving Picture Company’s L.A Office
Patrick Tighe, principal of Santa Monica’s Tighe Architecture, may hate space-age references. But, here we go: Tighe’s work for Moving Picture Company’s (MPC) Los Angeles office IS space-agey. With its pod-like central spaces, curving ledges and white drywall expanses, it evokes memories of retro space movies.
But it all fits. The U.K-based MPC is in the business of computer animation, color-grading and digital effects, so you wouldn’t want color, hard edges or natural light to mess with that. MPC is known for its work on the past six James Bond films, Slumdog Millionaire and commercials.
In turn, Tighe’s residential and commercial work is characterized by roofs shooting out at angles, curves sweeping, horizontal planes slanting. Your eye follows these lines easily and accepts the direction. A goal that MPC is most likely familiar as well. - Tuija Seipell
Syzygy Agency, Hamburg
While most of us must accept sitting just AT our regular desks, the creatives at Hamburg’s Syzygy agency get to sit IN their swanky, new desks. Thinking up ads and interactive campaigns for clients such as Chanel, Mercedes-Benz, Mazda and Fujitsu, will most likely go a whole lot smoother when your workplace is custom-designed for you.
The office of Syzygy Hamburg (they also have offices in London and Frankfurt) was created by Christoph Roselius and Julian Hillenkamp, the two founders of eins:eins architecten in Hamburg.
The sleek, white bullpens are not as inflexible as they may seem. On the contrary — the various configurations are endless, but the desks always join together and form a whole. This allows for close cooperation and reinforces the feeling of everyone being in the same boat. The flexible desks also make it possible to turn tight and tough-to-utilize spaces into productive working environments.
Syzygy’s staff is lucky in other ways, too. Their cool office is located in the central part of Hamburg, near the city hall, the Binnenalster artificial lake, and the upscale shopping promenades of Jungfernstieg and Neuer Wall. Seems unfair, doesn’t it? -Tuija Seipell
Escada Head Office - Munich
Sometimes you come across an environment that really lets the merchandise or content (such as people, merchandise or furnishings) stand out. This 2,000 square-meter jewelry-case – the head office of the venerable fashion house Escada in Munich, Germany – is a luxurious example of this.
Completed in late 2008, the location hosts the international fashion media and buyers who gather here to view the latest Escada collection each season. The three dominant areas – entry court, lobby and interior courtyard – are separated by transparent facades. This creates a visually stunning, 75 meter-long runway that flows right through the center of the entire building.
Escada commissioned the Parisian architecture studio Carbondale of Michigan-born Eric Carlson to design the architectural public face of its head office, including the entry façade, entry court, interior courtyard, lobby and furniture.
Carlson graduated from Kansas State University School of Architecture in 1986. Before co-founding the Louis Vuitton Architecture Department in 1997, he worked in the offices of Mark Mack, Oscar Tusquets and Rem Koolhaas, He established Carbondale in Paris in 2004. Carlson is known for his work with luxury brands including the Louis Vuitton buildings in Roppongi, Tokyo, the LV Maison in Paris, the 360° Watch Museum and the corporate headquarters of Tag Heuer in Switzerland. - Tuija Seipell
Photographs by Jimmy Cohrssen
Fornari Group Offices - Milan
Giorgio Borruso Design of Marina Del Rey, California, designed the new airy and fluid headquarters for Milano’s Fornari SpA (Fornari Group).
Located in the Navigli section of Milan, the 35,000 square-foot building was converted from the historic porcelain workshop of the centuries-old Richard Ginori brand.
The Fornari family’s road to fashion fame started in the mid 1940s from footwear manufacturing. It entered the fashion apparel business in 1998 and has since flourished in other fashion, design and lifestyle brands, including the Fornarina fashion concept stores across Europe and the U.S.
The main entrance of the headquarters on Via Morimondo opens to a space lit by color-changing LED lights that seems to suck the visitor gently into the reception area. The open space is flexible, airy and fluid with rounded corners, curved edges, transparent partitions and unexpected waves of color. The hard and exposed concrete floors and steel structure contrast beautifully with the wavy feel of the new walls, partitions and staircase.
There is also a slight, vertigo-inducing sense of controlled imbalance, of not being completely sure what is floor, what is ceiling and what is wall. This was the intention of Giorgio Borruso designers describing the result as “Giving the illusion that there is no gravitational force; that you can walk on any surface; you can rotate the system ninety degrees, and it still works.”
The Italian architect and designer Giorgio Borruso is known for experimenting with and testing the boundaries of form, shape and structure throughout his career. He has won awards for product design, retail design, architecture and interior design. His famous retail work includes the tortellini-shaped shoe fixtures for Fornarina and the cocoon-like fitting rooms for Miss Sixty. - Tuija Seipell
Ogilvy & Mather Guangzhou Office - A Carnival of Ideas
Ogilvy & Mather’s Guangzhou office has been selected as one of the recipients of the third annual China's Most Successful Design Award 2008, sponsored by FORTUNE China magazine and China Bridge International.
Designed by M Moser and Associates, Ogilvy & Mather’s office is the first interior design project to receive this award. Aiming to offer its current and future staff an environment that inspires creativity Ogilvy & Mather allowed M Moser to go all out with the theme “Carnival of Ideas.”
The height of the space and the central staircase create a background for a theme park of environments that flow freely and openly from one to another.
This is Ogilvy & Mather’s expanded office, relocated from the business hub of Guangzhou to the edgier arts and culture region in the city-fringe, with views across the Pearl River toward the historical Sha Mian district.
Michael Lee, Ogilvy’s Shanghai & Southern China COO, was quoted as saying that although the commute time has doubled for many staffers, they still love coming to work because the new environment is so much fun.
In a media release, M Moser Associates’ director Wendy Leung is quoted as saying that although seeing the workplace as a strategic tool to support business goals is a new concept in China, it is gaining recognition as a serious trend.
In operation since 1981, M Moser has offices in 11 countries, specializing in workplace environments including design, strategic planning, engineering and construction.
The 25 winners of China's Most Successful Design Award 2008 include cars, other products, and retail and office spaces. - Tuija Seipell
Atelier Exquise is a showroom, design studio, kitchen and a small apartment for Exquise Design in Paris. Exquise is a team of three female designers focusing on designing contemporary lovetoys.
The new space is a meeting place for creatives where they can cook both ideas and food. Designed by Stockholm-based Electric Dreams, the space starts with white walls, ceiling and floor. To this simple backdrop, spurts of electric and luminous pinks, blues, purples, greens and yellow, add a feel of lightness and delight.
Electric Dreams is an architecture and design studio established in 2006 by product designer Joel Degermark and architect Catharina Franklander. Their design work ranges from cool and sleek retail interiors to lush and crazy installations. Degermark’s Cluster lamp for Moooi and the team’s fantastic, multiple concepts for the Swedish brand Monki — purchased in 2006 by H&M — are examples of the duo’s many talents. - Tuija Seipell
GHD, makers of the must-have hair straightening irons (many a woman's best friend, let me tell you) have just joined the cool offices club. The company's new 15,600 sq ft head quarters in Leeds is more space ship than corporate office. And that's exactly how they wanted it, according to UK firm Carey Jones interiors, who designed the futuristic space, which features a "catwalk" in the reception area.
The objective of the two-year long project was to capture GHD's sense of style and uniqueness in the market place and translate that into their HQ's design. Mission accomplished. - Lisa Evans
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